Sunday Spotlight… Steal Your Face 10th Anniversary Special!

The band Steal Your Face is no stranger to One Unified and vice versa. We’ve featured the band before, they are regulars on our entertainment calendar and our interviews with frontman Paul Baroli Jr. go back to the earliest days of our project. So this week we are happy to feature them once again for our Sunday Spotlight because this week they are celebrating their 10th anniversary as the band that we have come to know and love.

Happy Anniversary Steal Your Face!

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A band known for turning clubs and bars into psychedelic rock shows is celebrating their 10th Anniversary in 2016. Steal Your Face played their first shows in 2006 and they are proud and slightly shocked at what they have accomplished over the last 10 years. “What we have now, the scene, the community, the fact that our shows have become a gathering place of friends and not just Dead Heads but now Steal Your Face fans is just humbling to me.” Says founder and front-man Paul Baroli Jr.

The band now known as Steal Your Face played their first show at a friend’s wedding in April 2006. “We had just started kicking around and putting some tunes together, they asked and I jumped at the chance – probably biting off more than we could chew”.  For their first year the band was called August West and even though it featured current members Baroli, Curt Eustace and Garry Engel, things looked much different than they do today. “I was playing acoustic guitar and sort of prancing around a lot, putting on more of a show than a musical contribution. A guy by the name of Steve Lynn put us all together, he had placed an ad on Philzone, (a Grateful Dead fan site in honor of Dead bassist Phil Lesh) I answered the ad and met Steve as well as Curt and Garry not long after.”

Garry Engel had experience in a popular country-western band called Union Pacific and had just retired from owning his own heating and air conditioning business, Engel Heating and Air. Garry’s first Grateful Dead concert was at Franklin and Marshall College in 1971, seeing the band’s original line up.  Garry is a life-long rhythm guitarist and has been the only full-time rhythm guitarist in Steal Your Face, “I’m amazed at the music that we produce. It has to do with our high level of talent, our love for music and the love for each other. By the end of each set, I’m shaking from the excitement of making such great music. Of course, I love our fans’ enthusiasm. It’s the icing on the cake!” Paul and Garry formed a friendship and partnership that keeps the band business running to this day. The two manage the band together, Engel said, “We complement each other really well. We both put our experience in other businesses to work for the band.”

“The first time I heard Curt play guitar it was obvious to me the kid was special.” said Baroli. “The Kid” was 15 at the time and was happy to hang around the band and play when he could along with the band’s first drummer Chris Brennan. Chris was Curt’s childhood best friend who tragically passed away in 2010.

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2007 Benefit Show Trenton, NJ (from left to right) Baroli Jr, Engel, Eustace (notice Curt is playing bass)

After a few shows in 2006 frustrations in August West started to grow and Baroli convinced Engel to leave and regroup as Steal Your Face. Curt and Chris were teenagers and were not legally allowed in the establishments the band was playing. Baroli and Engel decided to seek players who were over 21 and in 2007 Steal Your Face performed with a lineup of Baroli, Engel, Mike Christy on lead guitar, and Mikey MacBride, Baroli’s cousin, on drums. “Mikey’s from Miami, he was an all-state jazz drummer in high school and going to school at Drexel in Philadelphia. Garry and I found a drum set on Craigslist and bought it for him and we were off and running.” said Baroli. Of Christy Engel said, “Mike and I hit it off, he was at Woodstock and we are of the same generation. His experience really helped us out.”

The band has seen several lineup changes since those days, most notably bringing Curtis back to play lead guitar in 2008. Says Engel, “All the things we’ve been through, all the moves we made or had to be made, they’ve always worked out for the best. It’s always just felt like it was moving in the right direction.” Baroli chimes in, “slow and steady baby.”

Paul, Garry, Curt and drummer “Blue” Lou Zalvino formed the core of the band for the next 5 years. Baroli said, “Lou is a marine, he expected us to work hard and we did. We were not only having fun but starting to draw people and book regular gigs. We’d put together a couple of new songs during the week and debut them on the weekend. We’ve always wanted to keep our shows fresh and innovative and in those days we had to run to keep up.”

The band started to gain some accolades during that time performing at Gathering of the Vibes music Festival in Bridgeport, CT in 2009 and winning the 2010 Bucks-Montgomery County Music Award for Best Jamband. Steal Your Face was building a loyal local fan base as well as appearing at music festivals up and down the mid-Atlantic and Northeast. “Some shows will always stand out, dream come true stuff. Pennypack Park Music Festival in Northeast Philly. I used to ride my bike past that amphitheater when I was a kid. I would get on stage and pretend I was putting on a concert there. Then one day there I am, standing on that stage and literally looking out at thousands of people on the lawn. One of the few times I’ve been physically rocked by nerves, my legs were shaking walking out for the first song.” said Baroli.

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Pennypack Park Music Festival 2011, the band’s first appearance there.

Following the birth of his daughter in 2011, Lou decided he wanted to focus more on his family and left the band. The core four had become three and the guys were not only missing their friend but on the hunt for a new drummer and solid lineup. “They were strange times. We had shows booked and people showing up to see us. We had an obligation to be “Steal Your Face” but it was tough. There were weekends where Friday Me, Curt and Garry would play out with two guys and the next night me and Curt would be on stage with three different guys. We stayed unified and strong and persevered, staying true to what we felt should be done with the music and eventually got the right guys together and solidified the lineup.”

Those guys were keyboardist Dan Galvano and drummer Matt Ginsburg. “Danny G” had spent about a year with Steal Your Face while studying music at The New School in New York City beginning in 2009. The burden of the band’s schedule as well as the commute from New York and his classes proved to be too much at the time and Danny’s first stint with the band came to an end.  Upon finishing school, Danny came home to Lawrenceville, New Jersey and was playing with his original band “The Bansai Bills”. “We always loved Danny and were real glad he was back in town. He was the first keyboard player we had that really fit with us and it seemed like we went through hell with keyboard players when he wasn’t with us. There were a lot of them.” said Baroli. “Too many” adds Eustace.

Matt Ginsburg came to Steal Your Face with a quarter century of experience playing the music of the Grateful Dead, “I named the band Living Earth in 1980 and played with them for 25 years. This band takes that experience and expands upon it with nonstop energy and love.” Of Ginsburg, Baroli says “We just love the guy. Musically, he’s so much more than a drummer. He taught me how to sing harmonies correctly and nuances of this music that were missing.”

Most weekends the current lineup of Baroli, Engel, Eustace, Galvano and Ginsburg can be seen performing at bars and clubs in and around Bucks County and Philadelphia. “We’ve been Blessed to build our lives around this music, the shows, the love and each other.” says Baroli. Spring and summer bring music festivals for Steal Your Face. Keyboardist Dan Galvano said, “We love the festivals. Travel and adventure, camping and partying together.” Ginsburg adds, “Playing outside for big crowds is where it’s at.”  The band’s upcoming schedule includes a Cinco De Mayo party at Chickies and Pete’s on Roosevelt Blvd Thursday May 5th. They will be kicking off this year’s Pennypack Park Music Festival on Wednesday May 11th and have a schedule full of music festivals and local shows through the summer.

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The 10 year anniversary celebration culminates July 23rd at a music Festival called “Caveman’s Love Fest” in White Haven, PA. The band has a four-hour headlining time slot that night and plans to bring back several alumni to share the stage. “I’m really excited about that. The festival is at a great campground just two hours from Philly with running water, bathrooms, a lake and an in ground pool. We are really hoping a lot of our fans who spend weekends at our local shows will make the trip. I’ve been in touch with some of the guys we used to play with and can’t wait to see what kind of music and collaborations are made that night. It will be a true celebration and love fest.” said Baroli. The band may include more festivities later in the year, information and their full schedule at their official website http://www.StealYourFaceBand.com.

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 March 2015 50 Years Greateful Fest Reading, PA

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Steal Your Face (from left to right) Garry Engel, Curt Eustace, Matt Ginsburg,
Paul Baroli Jr., Dan Galvano

Wednesday Spotlight… No, That’s Not a Typo.

Just in case you’ve not been here before I’ll give you a little back story. Each week we feature an artist, band, venue, event or generally other cool and interesting item each and every Sunday, in what we like to call our Sunday Spotlight. When we feature a musician or a band, they become a part of our project, of our One Unified family. They become an addition to our weekly entertainment calendar. Basically, they get lots of groovy One Unified love.

Last week, we decided to forgo our usual spotlight and instead conduct a poll to see if any of our readers had suggestions for upcoming Spotlights. We’re still conducting the poll and collecting results. If you’d like to take it, you can do so here.

Meanwhile, we were able to talk to another local band, AM Radio, who was originally slated as last week’s featured artist. Sure we could’ve waited another week or two to share but when we’ve got music on our minds, well, we have a hard time containing it. So, this Wednesday, we’re shining the spotlight on…
AM Radio.

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Who are the members of AM Radio
?
The members of AM Radio are:
Kevin Burk, Vocals & Percussion
Su Teears, Vocals
Jimmy Cavanaugh, Drums
Steve Sauer, Keyboard
Bernie Carville, Bass
Joe Triglia, Guitar & Vocal
With Guest Guitarist: Danny Eyer

How did you guys (and girl) meet?
We all came together through music, playing in various versions of bands. Kevin & Su wanted to do a project that would include both of them, so that they could spend more time together doing what they love.

That is similar to how this project got its start!
Obviously the band’s name comes from the genre of music you guys play. So I have to ask the obvious question, why AM Radio music
?
“We were on a road trip one day to New England and just listening to the all those songs from the late ’60s and early ’70s (which is what we grew up listening to) that are two and a half minutes long that everybody likes. Sometimes you’re ashamed to admit you like them, but you do. We cover all that stuff, from the Carpenters to Deep Purple and everything in between. It’s a great project that we’re really proud of and the band has been really well received.”

What were your musical influences growing up?
We’ve been influenced by every genre of music. From great horn bands like Chicago, to singer song writers such as Harry Nilsson and every band in between. We’re all big fans of The Beatles, of course!

What can people expect if they come out to see one of your shows?
We all dress in attire fitting the era of music we cover. It’s like a costume party every time we play. Even the audience will dress up in their Hippie garb or best Mod outfit. Our repertoire spans the musical generations from a time when radio was king, sending you on a musical sojourn with one great song after another. Selections include remarkable renditions of “Spirit In The Sky,” “Right Place Wrong Time,” “To Sir With Love,” “I Think We’re Alone Now,” “Brand New Key,” “Day After Day,” “California Dreamin’,” and “White Rabbit.”

I love Brand New Key! That’s one of those songs that I wouln’t even remember I loved unless I heard it! So, how can people find you? (Website, Facebook page, contact info., etc.)
Website
Facebook

If someone is reading this and can’t wait to come out and see you, where can they do that?
AM Radio plays the first Tuesday of every month from 6-10
(May 3, June 7, July 5, August 2, September 6, October 4, November 1, December 6)
and every 3rd Sunday, even months through the year from 6-10
(April 17, June 19, August 21, October 16, December 18) at
The Bridgeport Ribhouse
1049 Ford St, Bridgeport, PA 19405
Phone:(610) 279-1275
1049 Ford St, Bridgeport, PA 19405
http://ribhouse.net

RADIO2.jpgYou can follow on Facebook a check out the webpage for additional bookings and upcoming gigs.

Sunday Spotlight… The Heart of Gold Festival

Music lovers, this week we bring to you another Sunday Spotlight rooted in our mutual love of music, community and good old-fashioned fun. This week we bring you a two-day local music event that is sure to help you beat these semingly endless winter blahs and help you get into the spirit for the upcoming jam-packed festival season.

Where did the idea for the Heart of Gold Festival come from?
This is our first ever Heart of Gold Festival. The name and concept for the festival came from the lyric “everybody is playing in the heart of gold band” from Scarlet Begonias [by the Grateful Dead]. We know and have worked with all of the bands on the bill in past festivals, and thought it would be great to get a jam together with different members from all the bands for the closing set. Paul Baroli Jr. of Steal Your Face loved the idea when we brought it up to him, and has been working with all of the musicians to put together the band members and set list.

Who is set to perform at this year’s festival?
Mark Diomede & The Juggling Suns Project, Steal Your Face, Mason Porter, Only Footprints, Jersey Pearl, Boy Wonder, Wood Sounds, Mia Johnson, Bobby Beatcut, James Stilianos and The Heart of Gold Band with various artists from the weekend led by Paul Baroli Jr.

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The lineup schedule (all times are approximate):
Friday April 15, 2016
6:00 PM – 7:30 PM ~ Wood Sounds ~
8:00 PM – 9:30 PM ~ Jersey Pearl ~
10:00 PM – 12:00 AM ~ Steal You Face ~
12:00 AM – ? ~ open fire side jam ~

Saturday April 16, 2016
12:00 PM – 12:45 PM ~ Mia Johnson ~
1:00 PM – 2:30 PM ~ Boy Wonder ~
3:00 PM – 5:00 PM ~ Only Footprints ~
5:15 PM – 6:00 PM ~ James Stilianos Freak Show ~
6:00 PM – 7:30 PM ~ Mason Porter ~
8:00 PM – 10:00 PM ~ Mark Diomede & the Juggling Suns Project
10:30 PM – 12:00 AM ~ Heart of Gold Band ~
12:00 AM – ? ~ open fire side jam ~

Is it family friendly?
Yes this is a family friendly event, sadly it is not pet friendly.

How did you select the location? (The Plateau – 139 Marl Road, Harrisonville, NJ. 08039)
We chose the Plateau for the fest after helping out with a small festival style private party held there last year, knowing the covered stage and dance floor would set the perfect scene for this show.

Is there anything you want to be sure people know if they are thinking about coming out to the festival?
Campers/RVs are welcome, and there will be limited car side camping, and limited carry-in camping in the concert field. Saturday morning yoga, arts, crafts, air brush tattoos, good food, good music, good friends, good times. Jim Stilianos will be the MC for Saturday and have his own mystifying and amazing Vaudeville Freak Show, that is not to be missed.

Where can people go to find out more information about the event?
You can find more information on the Facebook event page… https://www.facebook.com/events/1243576182325599/

By now we know people are ready to get on board! So, where can people get their tickets?
Tickets are available at the pre-sale rate until tonight at midnight, here… http://trustproductions.ticketleap.com/heart-of-gold-band-festival/
Tickets can also be purchased at the gate.

The event is a rain or shine weekend of music and camping taking place this Friday, April 15th beginning at 2:00 PM until Sunday, April 17th at 12:00 AM. Don’t miss out on this one! Guaranteed to be a good time.

“Everybody’s playing in the heart of gold band…”

A Fan of Music With Fans of His Own…A Celebration

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You have a milestone birthday coming up and I want to talk about how you’re going to be celebrating. First, I’d love for you to tell me a little about you.

As for me, I have had a hobby of taking pictures since I was about 10. In the mid 70’s, I used to go to concerts at the Spectrum and take band pictures of Kiss, Cheap Trick , The Cars, Tom Petty, Bee Gees, The Eagles, Hall & Oates, Fleetwood Mac and many others. That was between 1976 and 1980, up till I was 24 years old. I had to stop because it got to hard to sneak a SLR 35mm camera with a 200 zoom lens in the venue. I had a small indoor flea market spot in the Port Richmond area and used to deal with music items like CD’s, t-shirts, patches, stickers, magazines and other type of music memorabilia/collectibles. Very rarely did I ever make any money there. It became like Cheers (the bar on TV…everyone know your name). People would just hang and talk (about) music. I was Lenny “the Rock-it Man”. I called my spot in there “Rock-it Compact Disc”. That was between 1997 till about 2004 when they closed up the place. While I was there, I met lots of young kids that were just starting bands, so I started to try and promote them and their shows by selling or giving out CD’s and posting flyers of the gigs. Around 1999-2000, I started to take local band pix, mostly at Club HP on or about the 8500 block of Torresdale Ave. I went there, sometimes 2-3 nights week. It was a great place for the young and old. It was an all age place/no alcohol . The bad part was that, back then, I had a film camera and half the pictures wouldn’t be any good because of either a band member moving so much it was hard to focus or I was in a mosh pit in front of the stage, which didn’t help to take a good pictures. It was costing me too much money. It got much better, cost wise, when I got my first digital camera around 2004, just a cheap point and shoot. I never had the money for a good SLR 35mm digital one. I got to know Angelo and Hugo, the owners, so I had my little corner and chair waiting for me and didn’t have to pay a cover because of the promotion I was doing for the venue with pictures on the internet. I didn’t start to do video until about 2007. My eye sight had been getting worst over the years from diabetes and it was getting harder, just a pain in the ass, to edit pictures on my PC. I started with a JVC camcorder about 2007, it was great until I had to find a head cleaner for it and the heads needed to be cleaned too much. But the camera had a great zoom and picked up audio well. I got lucky and took a chance at opening a checking account at TD Bank because I saw an ad for a free pocket size camcorder called FLIP, so I switched my monthly checking to them as direct deposit each month and got the FLIP for free. The rest is history. I have been doing “cheap ass freaking FLIP pocket camcorder videos” since about 2010. I love the way my FLIP has good footage under lower lights, but the audio is another story. One reason is that I move around in front of each band member if I can, and that takes away good audio because I am very close and don’t use the zoom. I’d rather, if I have the choice, get better video footage then better audio. I have over 2600 on my YouTube channel under my ID of “LenKnee”, most are all local bands. No, they’re not the best, but they are also not the worst… they are FREE. In the past couple of years, I have only been trying to go out like once a week because of my health issues. Once in a while, I’ll do 2 nights in a row, but mostly, it’s just one night…either a Friday or Saturday. I even try to cut back on seeing more than 1 or 2 bands at a show because I can’t handle the 4 or 5 bands gigs… just too long of a night for me anymore.

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Being that you charge nothing for recording the shows of the local bands, I’d imagine they’re very grateful. Have you developed close relationships with any of them?

Well, when you say close… it all depends. Most, if not all, become friends. It’s not like I see them everyday. There are a few that I have seen outside of a show/venue… a couple even came to my home. But, since 2000, I have seen many go from 15 year olds to 30 year olds…kids to men with kids. I am mainly happy to see those from years ago stick to music and stay out of trouble with drugs and or booze. I have always hated to see a person (mostly the younger ones) waste their talent. (I told them) Don’t get caught up following the crowd. I also told them to set their own course…you have been given a gift, be it in music or sports or whatever it may have been, so don’t hang on a corner looking for trouble. I must say, most are grateful and always thank me in some way when we run into one another. It’s cool when they are with a friend I never met and they say, “He’s the dude that got me into (a certain types of music)” or that I gave them confidence to keep music in their lives. But to answer this question a little better, I guess I would have a closer relationship with many if I was healthier because then I would be going out to more shows and we’d be seeing each other more often. I am happy with the friendship and that they remember me years later. You have to remember, in most cases, I am much older than everyone, but being around and/or hanging at shows with them, I feel their age or younger, not 20-30 years older than they are.

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Speaking of age, your 60th birthday is around the corner and you’ve planned a big party. Can you tell me about that?

My 60th birthday is on April 9th, but on April 10th there is going to be an acoustic jam/birthday party for me at the Whiskey Tango in the far N.E. part of Philly from 2 to 8pm. It’s all being put together by Krista Doran from the Stems & Seeds band and Edmond Morena from the Boss Hydro band .
It was a joke at first. When I turned 59, I had just mentioned to some people that when the big 6-0 came, that it would be cool to have some bands play for me instead of me going there to take pictures and videos…so I could just sit back and watch them. I had like 5 bands that said “count us in”. Then Krista Doran had said she knew how to set up something like that and to count on her and her band when the time came. Truth is, I wanted to start the ball rolling right after the first of the year (2016) so I could give bands and people enough advance notice, but I couldn’t get the stones up to ask anyone thinking people would say things and 8 -10 months later, forget. So, I went to a show at Sweeney’s about 3-4 weeks ago, and as I was leaving, Mr. Edmond Morena from the Boss Hydro band asked how things were with me and my health. That’s when he said he would start the process of getting things rolling like messaging the bands I had on my list and contacting venues in the northeast. Edmond has long working hours and I knew he could use some help, more than I could do. So, I told him what Krista had told me 10 months ago (or longer). I asked Krista to contact Edmond and asked if he could use some help, and then BAM!…things were put together by both of them in one weekend. I told Edmond I was thinking everyone should play acoustic music because of set up times. I have lots of hard rock/heavy metal and some punk/hardcore bands that I wanted to ask but I wasn’t sure if some of the music they played could be done acoustically. Plus, I just couldn’t ask everyone I would have liked to because of the time limit. So Edmond and Krista contacted the ones on my list, but not all could confirm about playing without asking each band member or they just couldn’t get the whole band together to play. In order to get things done fast and get the word out, they took the first bands/performers that replied the fastest. I didn’t want anyone mad and say “why didn’t you ask us to play”, but like Krista said, I would need a week long party to make everyone happy, along with me, because I wanted them all there. It’s cool because Krista Doran and Edmond Morena are making sure EVERYONE is invited to join in. That’s why it called a “Jam/Bash/Birthday party”. Members of bands that come, can grab a guitar and play with those that are on stage that have a slot to perform already. This is going to be “whatever happens, happens”, as long as it stays on time with each of the performers/bands allotted time limit. There will be, I believe, lots of surprises. I am hoping for lots of pictures and videos of both the performers/bands and all the people that show up. When I say “people”, I mean FRIENDS, because if they are there to help me celebrate my 60th, they must be friends…even if we never met!!!

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Is this event open to the public and if so, what do we need to know about it?

Yes, it’s open to EVERYONE. The bash/acoustic jam/my 60th b-day party will be held at The Whiskey Tango in the far N.E. part of Philly (Bustleton Ave.) on Sunday, April 10th from 2pm to 8pm. Tickets are $10, there will be an early buffet, food & drink specials all day, 50/50 chances, and it’s “all ages”. There are at least 14 bands or performers confirmed to play, plus all the musicians that come and hop up and join in the jam of those performing on the list already!

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Sidenote: upon speaking to Krista Doran about this event, she let me know that the proceeds of this event will go toward medical expenses for Len. So come on out for a great time and to help a fellow, music loving, man.

April Showers Bring May Flowers, but March Brings the Music.

This year March rolled in like a lamb, and it remains to be seen how it will roll out. It’s a time of year where, depending on things like the weather, it can either seem like the last death rattle of a seemingly endless winter, or a beautiful bridge to a burgeoning spring. The optimist in me likes to think of it as the latter. Really though, apart from the celebratory time of St. Patrick’s Day, what magic does March hold? Besides granting us access to longer days and (hopefully) warmer ones as well, with the spring solstice, what does March have to offer? Well, March like any month when you live in a great city like we do, offers you the gift of music. It’s a gateway to the upcoming spring and summer concert seasons.  So if you’re looking for something to make March more fun, look no further. As a matter of fact we’ve uncovered so many musical gems for people to enjoy throughout the month of March, there is something for just about every person, with every musical taste. In fact, we uncovered so many March events that we couldn’t even decide which ones to focus on. So check out just a little bit of what the month of March has to offer in our area. Think of it as a beef upped version of our live and local weekly entertainment calendar.

Chris Young
The country heart throb hits the city with Voice winner Casadee Pope opening up.
When:
Saturday, March 12
Where:
The Electric Factory, 421 N. 7th St. Philadelphia

LeAnn Rimes
The Grammy winning country sweetheart is bringing her act to Philly, where she will be the first headlining act at the new SugarHouse Casino Event Center.
When:
Sunday, March 6
Where:
SugarHouse Casino, 1001 N. Delaware Ave. Philadelphia

Questlove Supreme
The legendary local Root’s percussionist stops by his hometown once a month for a magical, musical Sunday night party. You can catch the next installment this month.
When:
Sunday, March 13
Where:
The Foundry at The Fillmore, 1100 Canal St. Philadelphia

Dropkick Murphys
American celtic punk. It’s not a hug genre, but it’s one that Massachusetts own Dropkick Murphys have cornered the market on. What a great way to ready yourself for St. Patty’s Day.
Sunday, March 13
Where:
Electric Factory, 421 N. 7th St. Philadelphia

The Who
Not many need an introduction to this legendary rock n roll band. Celebrating 50 years of rocking across the world, they’ll make a stop in Philly next week.
When:
Monday, March 14
Where:
Wells Fargo Center, 3601 S. Broad St. Philadelphia

Dr. Dog
Hailing from nearby West Grove, Pa. these  indie rockers are coming to town on St. Patrick’s Day in support of their recently released album, The Psychedelic Swamp.
When:
Thursday, March 17
Where:
The Fillmore Philadelphia, 29 E. Allen St. Philadelphia

The Temptations & The Four Tops
These two bands played a huge part in the building the legacy of Motown. Now they’re delighting us with their signature style and sound at the Keswick Theatre.
When:
Friday, March 18
Where:
Keswick Theatre, 291 N. Keswick Ave. Glenside

Megadeth
Hard to believe that this L.A. based thrash metal band has been doing it for over 30 years now. If you like it loud, you can head out to the Electric Factory later this month.
When:
Sunday, March 20
Where:
Electric Factory, 421 N. 7th St. Philadelphia

Baauer
Best known for the super sensationalized “Harlem Shake”, Philly born Baauer is also known for his mix of house and electronic dance music. You can check him out as he brings the beat to The Union Transfer.
When:
Thursday, March 24
Where:
Union Transfer, 1026 Spring Garden St. Philadelphia

Lucinda Williams
The bluesy, folksy, rock vocalist and guitar player is doing a double-header at the always fun World Cafe’ Live.
When:
Wednesday, March 9 & Thursday, March 10
Where:
World Café Live, 3025 Walnut St. Philadelphia

G. Love & Special Sauce
Hard to describe a band that has been labeled “alternative hip-hop”, and have had their style described as R &B, blues, rock, alternative and more. So why not just check them out for yourselves as they come to the Filmore later the month.
When:
Sat, Mar 26
Where:
The Filmore Philadelphia, 29 E. Allen St.

 

 

Inside the World of Local Music…

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My weekend often includes live music. It’s my happy place, my sanctuary, my release to a week of responsibilities and demands. But when our work week ends, the local musicians and bands are just beginning. Often, our favorite bands have jobs too and after work on any given day, they rush home only to pack up their gear and set up at a local venue to entertain us. Now, I’m not pitying them. They get paid to do what they do (sometimes they even get paid well), they have the adoration of their fans, they get to play and create music, to be a part of something pretty special. However, I understand that it’s not all glitz and glamour. There are things that go on behind the scenes that many of us are not privy to: hours of scouting venues, fighting for fair pay, and sometimes adversity with some of the musical community. I was curious about what happens behind the scenes.  I reached out to some of Philadelphia’s local talent (that have been featured on One Unified in the past) to get a behind the scenes look into the world of local music. Thank you to Krista Doran of Stems and Seeds, Bill Luber of Chowder, Dean Rubenstein of Jah People, Larry Bishov of Hotlanta, Paul Baroli of Steal Your Face and Brodi Valos of Dirt Road Anthem for sharing your insight with me and our readers. Your contribution here and musically is greatly appreciated.

How long have you been in a band?

Brodi: I’ve been with Dirt Road Anthem for just about two years now. First band I was ever in, I played a trumpet and I was 10 years old.

Bill: My current band, almost 9 years. On and off with other bands since 93-94 maybe.

Krista: Since 2007, so 9 years now. Wow – I didn’t even realize that.

Larry: Since 1969 (in different bands)

Paul: Pretty much my whole life. I was in the elementary school band and was in my first rock band at 15. I’ve been in Steal Your Face for the last 10 years.

Dean: I have been in Jah People for 3 1/2 years.

How would you describe the culture in the local music scene?

Brodi: If I had to describe the local scene in a word, I’d say it’s “intimate”. Everyone pretty much knows one another to some degree.

Bill: I personally find the music scene somewhat healthy. I say somewhat because I don’t like the constant battle between bar owners and bands that deserve respect, when it comes to pay. If a band has a good following and puts butts in the seats and the cash register is ringing all night, why give us a hard time about our pay. We’re not asking for ridiculous money. Just want what’s fair. We spend time at practice a couple times a week, we do homework and learn songs, we buy expensive equipment, and lug all that heavy equipment and load in and load out. That’s a ton of work. Most of the owners don’t even promote. I’ve actually had one bar owner say “not sure why you guys even get paid, all ya do is sing songs.”. That’s clearly not the case. It’s a business for us too. If we bring a hundred people and the average person spends 50 bucks, that’s 5,000 dollars. And it could have been more if they promoted the show as much as we did. So if we do all the work and bring all the people and load all the equipment, why complain about our tiny paycheck. But as far as culture amongst other bands, I don’t really have any issues. I like and respect every band.

Krista: For the most part, there is a feeling of camaraderie and unity. Many of us have become good friends and will support each other by going to shows or doing shows together, give advice, share contacts, support causes together, etc.

Paul: Little of this. Little of that.

Dean: Unfortunately, I’ve found that the vibe in Philly has been mostly “every band for itself”. There have been some crossover and cooperation in the past, but lately there has been less and less collaboration, both musically and business wise.

Have you ever encountered a “situation” with another band that left a bad taste in your mouth?

Brodi: No, not that I can think of. I don’t always get along with everyone, but who does?

Bill:  I have had some situations that have left bad taste in my mouth but the good thing about that is I dont have to be in their band. So for me, if I don’t like something another band did, I am old enough to know not to deal with them anymore and just move on. No big deal.

Krista: Absolutely. I mean, we have always been very supportive of our friends and other musicians that we know. On the flip side of that, yes, there have been some that have decided to try to discredit us. We work hard at what we do and it shows. For anyone to try and influence others to not support us, or anyone else for that matter, is pretty ridiculous. It doesn’t hurt us because our fans and friends are very faithful. It does however, hurt the music scene as a whole, and I don’t think these particular musicians even care about that.

Larry: Not in my experience.

Paul: Plenty.

Dean: Certain guys from bands feel the need to carelessly bash other bands and musicians on social media. This type of behavior often contradicts the righteous ideals that they claim to be practicing.

Why do you think some bands find the need to bash/criticize other bands?

Brodi: You’d have to ask them for their reasons. I’ll criticize weird, pretentious, rock star, super hype stuff. It just seems so crazy to claim that they’re going to rock someone’s face off in a place that has a 12 foot ceiling. Or the guys my age claiming that they’re getting or giving out record deals. Come on, dude… no one gets those anymore.

Bill: Musicians are notoriously stereotyped as egomaniacs and look at music as a battle for who’s best. I personally, in my years, have only encountered that a couple times. When I first got into bands, I was kind of expecting to hear so much shit from jerkoff so-called superstars but that never really happened. I have heard a couple people say “Chowder sucks” or “how come you guys hire Chowder and not us, they ain’t as good as us?” Ya know what I say? Fuck them guys. I could care less. It’s like an actor reading a review of a movie he or she was in. The movie does great in the box office but there’s that one critic that didn’t like it and slams the movie. But in the end, the theaters are packed so what do ya say? Fuck em. So as long as you’re working hard and the music connects with people and everyone is happy, so am I. That’s all that matters.

Krista: There are two reasons in my opinion: Jealousy and wrong assumptions. Bashing is never acceptable. In pretty much all situations, the one bashing is really the one that ends up looking bad. It also shows how unprofessional they are and makes it hard for them to get gigs at certain places.

Larry: Insecurities. Their ET (ego to talent) ratio is way out of line.

Paul: You’d have to ask them.
If you’re asking me about some of the things I say and post, well I know a lot of my friends, family, fans and even band mates wish I would keep my mouth shut sometimes. That’s not who I am. If I have something I feel needs to be said I’m going to say it.
I have a great respect for the fans. Music lovers. People who spend their hard earned money and valuable time to see a band. I appreciate that more than I could ever say. I think those people deserve certain things – like authenticity. If someone is asking me a question or reading on social media what “is on my mind” – I take that seriously, and I’m going to respect them by being real.

There’s a couple of guys and bands out there I’m pretty vocal about. I should also say I like to think I give plenty of kudos when they are due and that there’s plenty of bands I have lots of “criticisms” or things I could “bash” but I truly never want to bash anyone or be negative and don’t. There are some people out there and some things happening that I have some responsibility in. Maybe it’s regret on my part. I gave people a platform because they manipulated, misled and used me and my band, fans and family and I don’t feel good about them misleading anybody else. Sometimes I speak up and ruffle some feathers. Through the course of my musical career, as I think anyone in any career would, I’ve come across some not so good people. I’m not the kind of guy to stand by and keep quiet, it’s part of what makes me who I am.

Dean: It’s mostly jealousy and ego driven.

Has the environment changed since you started performing?

Brodi: From elementary school recitals at J.H. Brown to a Bud Light sponsored act. Yep, I’d say things have changed for me. But in all seriousness, things have changed a bit in the live music scene. There used to be so many more original acts and listeners who wanted to hear their music. There are still original groups but the local scene is more cover oriented.

Bill: The environment has changed a little. When I started, rock music was more relevant. More people were rockers and rock music was king. Now ya got industry pushing kiddy pop music like Justin Bieber and stuff like that. It sells to kids. This is what’s wrong with music today. Christ, there ain’t even music on MTV anymore. Doesn’t MTV stand for music television? But recently I have seen a couple young bands that have been playing. One I like especially is The Dead Leeves. These kids are teens. One of ’em ain’t even a teen yet and they play as well or better than some of the older guys. What’s really great is they are playing “real” rock and roll. It’s really great to see. Another band I have seen recently is Angus Road. Another group of young guys. Very good band. Just awesome to see a 15 year old play the Beatles. Hopefully those bands can keep this going.

Krista: I think it has. The scene is definitely changing, and for many reasons. The economy, of course, has played a big part in things. People don’t go out as much or spend money like they used to. There’s also a lot more places choosing to bring in acoustic acts or DJs who charge much less than a full band, leaving less places to play. It used to be that on a Friday or Saturday night, the question wasn’t IF you were going out to see a live band, it was WHERE. Now, a band is lucky to get more than 30 or 40 people out. There are many others, but those are two of the main reasons.

Larry: It’s very hard to find places to play and the pay has hardly changed in the last 20 years or so.

Paul: It’s constantly evolving. Mostly – people and bands come and go. Lineups change, venues come and go.
I’ve been fortunate enough to stick around for a little bit and learn from some guys who have been able to do this for a long time. You have to ride the waves.
I do think for me the environment that has changed has been in the amount of people who support us. There’s a hunger for Grateful Dead music like I’ve never experienced. I think part of it was their 50th anniversary in 2015 and also that there’s a lot of bands playing this music at a high level right now, each with their own unique flavors and interpretations, on a local and national scale. Around here, on any given weekend night Steal Your Face, Splintered Sunlight and Box of Rain can all have successful shows within a 30 mile radius playing the music of The Grateful Dead. That’s a pretty incredible thing for me to try and grasp.

Dean: The local scene, at least in the Northeast region, had been much more inclusive and unified, but unfortunately, there’s been quite a bit of segregation.

How would you change things in the world of local music?

Brodi: Everyone would get a pony and an ice cream cone. We’ll pay for it with the money that bars claim they never make. That’s what ya call “drunk accounting”, folks.

Bill: This is a tough question. I think to change things in local and all music is to get the kids back into rock n roll and show them what it’s like to have musicians play their own instruments and join with other guys (or girls) that play and then form a team. A team that has three, four or whatever amount of people that bring their talents together and become one that can combine sounds and form songs that can make people feel emotion. I hope it can happen. I hope it’s not too late to get the kids back. If it does happen, rock n roll will never die.

Krista: The only way is to set an example by being professional, gracious and staying humble. Always, always be at your best. This not only affects other musicians, but also the bars/club owners and the people who come out to see us. Set realistic expectations because when you promise the world and don’t deliver, it makes the scene look bad as a whole.

Paul: It’s all going the way Jah wants it so who am I to say?
I think a lot of us who play music would love to be able to get together more. Socially and to play together. It’s just hard to make it happen. One of our friends has to get mugged or something.

Dean: I’d like to have more multiple band events to give fans a chance to hear bands that they typically may not see perform.

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What advice do you have for young and/or new musicians coming up in the music scene?

Brodi: Cliché as this may sound – Just do it! And find a good lawyer. If all goes well, you’ll most likely need one. Possibly more…

Bill: My advice for the young kids would be to play with your heart. Do it for the right reasons. Do it because ya like it. Not because it can get ya laid or because everyone will think you’re cool. Do it cause music grabs your soul and ya want to to grab it back. Stay humble and work hard. Practice every day. Love what you do!

Krista: Do your homework and learn your craft. Don’t just get a few people together and start a band. Practice! Practice! Practice! Don’t go out half-assed. Make the investment in a decent sound system. Learn how to market yourself. Ask seasoned bands or musicians you know what works for them. Align yourself with professional people and do what they do. Take pride in what you do and appreciate it! Don’t act like you are a “Rock Star,” because you’re not. If you were, you wouldn’t be playing in a cover band at local bars. Be realistic and remember there is always someone out there better than you. Price yourself in line with other bands – don’t “undercut” just to get a gig. This lessens your worth! Most of all don’t be a dick to people. Make people feel good about you and the music you play.

Larry: Keep playing even if you suck because after a while, you won’t suck.

Paul: If you believe in yourself enough to want to attempt to do this, believe in yourself enough to be yourself. Stay true to yourself, don’t compromise yourself or your art. And remember that what you’re doing is important. It’s an ancient art form and it brings people joy. Always do it for the right reasons.

Dean: Play to have fun, utilize social media, it’s a great tool to gain fans.. Try to open or co-bill with popular bands who’s fans are your target audience. Stay humble.

This Weeks Live and Local…

To read more about the bands featured on One Unified, follow the links below:
http://oneunifiedproject.com/archives-2/backstage-pass/
Brodi Valos, Steal Your Face, Chowder, Jah People

http://oneunifiedproject.com/archives-2/backstage-pass/backstage-pass-kevin-kirk-of-kirko/
Kirko

http://oneunifiedproject.com/2015/04/14/jade-starling-continuing-to-keep-fans-captive/
Jade Starling of Pretty Poison

http://oneunifiedproject.com/2016/01/10/spotlight-sunday-is-back-the-dead-leeves/
The Dead Leeves

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